Eszter’s background is in theatre.

She has worked across pretty much the whole spectrum of live performance, including straight theatre (from Shakespeare to verbatim scripts), dance theatre, puppetry, magic, circus, visual theatre, dance.

Also installation performance, outdoor spectacle and street theatre, site-specific, promenade performance, object theatre, performance art, musical theatre, community performance and opera.

the halcyon days, photo by Mihaela Bodlovic

Eszter has worked with a range of artists and companies internationally.

They include

Curious Seed / Grid Iron Theatre Company / Hidden Door / Hungarian State Opera / National Theatre of China / Nordland Visual Theatre (Norway)/ Open Society Archives (Budapest) / Pesti Színház (Budapest) / Pinceszínház (Budapest) / Royal Lyceum Theatre / Scottish Opera / Surge / Vision Mechanics / Volksbühne (Berlin) / Weimar National Theatre (Germany) / Nordland Visual Theatre (Norway) among others.

Eat Me, photo by Mihaela Bodlovic

Eszter is co-artistic director of multi-disciplinary collective Snap-Elastic, a multi-year funded company in Scotland. She makes a lot of her live performances with them. Visit Snap-Elastic’s website here

Horses, photo by Brian Hartley

Eszter runs experimental company ghostbag with long-term collaborator Wils Wilson. Visit ghostbag’s website here

Most recently, Eszter has been focused on creating environments that feel novel, adventurous and immersive, encouraging a state of in-the-moment presence and unfiltered being.

Through her work on ‘Horses’ for Snap-Elastic and ‘the halcyon days’ for ghostbag, as well as site-specific commission from Hidden Door ‘we have all been here – now into the light’ , Eszter has been exploring multi-disciplinary ways of creating novel experiences through experimenting with form, working with public space and the outdoors, and integrating public participation.

we have all been here - now into the light, photo by Chris Scott